I AM GOING TO SHOOT RUSSELL TOVEY
![Catriona247](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_s7CrIfZle-8KqrzTxH9jm_akDqc4D6mkYr4VZVM4sBQDNZz9UcO9ZrR58qBY9fRN4jaRbinA405-9w5slz90l6ECv2Vo1ZV2ZvbWWZ36txKWHCjbVXxZvHOP_AUmxGNCTVtdPsmeq-tESDsMuZMpqrbFoh8epOP0Z4m6Pa1_eHV_z0BBBxYln1a3Hppt25ms8=s0-d)
RUSSELL
TOVEY
THE IMPORTANCE OF BEING EARNEST
Russell Tovey, Simon
Callow and Celia Imrie to feature in Sky Arts season celebrating Dickens, Wilde
and Coward
In Love With…Dickens, to be broadcast
on February 21, will see Callow, Miriam Margolyes, Douglas Booth, Steve Evets,
Thomas Brodie-Sangster bring their favourite Dickens characters to life through
a series of monologues.
![sara pascoe](https://twimg0-a.akamaihd.net/profile_images/1761901629/posterjan12_normal.jpg)
![JoeStephenson](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_svn4Ql-fGoUuc4hm3lpDFjOPuiNlpoZgDuilOJt-yis0k-8l0g7Yfp-9v9qya6oCmDzHjAG8lwWlzzBJGdAY0GhNn_ikLAoGCJ6FSD3gkonwOI6o_-4qn9CzVtUaQ4aXIipZM=s0-d)
Catriona247: Spent the afternoon on a
shoot for Sky Arts filming the lovely Russell Tovey - what a thoroughly nice
bloke :)
russelltovey: Just about to eat a
post gym chicken salad.. X
russelltovey: RT @JosefValentino:
@russelltovey FINAL Gagosian THIS Saturday in London - Davies Street @ 1:30pm.
Hope to see you there!! #averagejoe :) http://t.co/rzg7rGN1
russelltovey: RT @H_Woolfenden: Press
night for http://t.co/MC9BPMBL and my masks..great exhibition really worth
checking out, talented designers..really well put together.
THE IMPORTANCE OF BEING EARNEST
Published Wednesday 15 February 2012 by Matthew
Hemley
![http://imageceu1.247realmedia.com/0/default/empty.gif](file:///C:\DOCUME~1\Sweetie\LOCALS~1\Temp\msohtmlclip1\01\clip_image001.gif)
Meanwhile, In Love With…Coward will
see Hodge read passages from the playwright’s Hands Across the Sea, while Karen
Gillan will perform the closing voice-over from Brief Encounter. Hancock will
recite Coward’s song, If Love Were All. This programme will air on March 12.
The final programme, In Love
With…Wilde, to be broadcast on March 19, features Fry reading from The Happy
Prince and Paterson Joseph performing from An Ideal Husband. Russell Tovey will also read from The
Importance of Being Earnest and Caroline Quentin will perform from Lady
Windermere’s Fan as part of this programme.
Sky Arts channel director James Hunt
said: “I couldn’t imagine a better cast to celebrate the colourful work of
Dickens, Coward and Wilde.”
![sara pascoe](https://twimg0-a.akamaihd.net/profile_images/1761901629/posterjan12_normal.jpg)
sarapascoe: @russelltovey YO! am
coming to your matinee on Saturday, super excited, maybe come find you for a
cuddle afterwards? X
![russell tovey](https://twimg0-a.akamaihd.net/profile_images/1737744722/earsbowtie_normal.jpg)
russelltovey: @sarapascoe yes
do! X
JoeStephenson: (I'm filming Russell
Tovey today, if he's anything but charming I will be fuming)
![Shauna Rice](https://twimg0-a.akamaihd.net/profile_images/1825662430/mise_normal.jpg)
riceypop: Me and @russelltovey in
Sitges 2011!
![russell tovey](https://twimg0-a.akamaihd.net/profile_images/1737744722/earsbowtie_normal.jpg)
russelltovey: RT @elliottfranks: @russelltovey in #SexWithAStranger at
Trafalgar Studios @martinshippen iPaper today twitpic.com/8k6rga
![russell tovey](https://twimg0-a.akamaihd.net/profile_images/1737744722/earsbowtie_normal.jpg)
russelltovey: RT @mikeyjc1990: Aforementioned #Heinz advert
with @russelltovey #AdorableLittleBastard
'Sex With A Stranger' review
or
'Spit-filled silences'
Here's a shocker – a new play, that
isn't trying to shock! Even better still, Stefan Golaszewski's 'Sex with a
Stranger' is about a trio of twentysomethings, who – for once - aren't royally
screwed up. They're not even on drugs! And, in a final shock revelation, this
slow-building comedy features two TV actors, Jaime Winstone and Russell Tovey,
who seem completely at home in the theatre.
Like the play itself, Winston and
Tovey are understated and all the more powerful for it. Tovey plays Adam - a
man stuck in a depressingly dull relationship, who hooks up with Grace (Jaime
Winstone) on a rare night out. Their's is not exactly a meeting of minds. They
chat about Homebase. A lot. It's not even a meeting of lips; when they kiss,
it's as if Tovey is trying to suck a massive bottle of milk, just out of reach.
It isn't exactly sexy but, in its slobbery fervour, it is realistic.
These absurdly amusing kisses set the
the tone for a play that might explore romance but is resolutely unromantic.
Director Philip Breen does a great job of keeping the 'romantic' encounters
messy and gloss-free. Throughout much of their fumbling flirtations, Tovey and
Winstone's characters look like they long to be elsewhere. Tovey's eyes dart
about anxiously, constantly searching for something or someone else. Winstone's
screeching laughter is far from a thing of a joy. Even when the two kiss, it
feels like they're grappling about for a connection they cannot find.
These spit drenched and awkward
encounters are not all that different from the scenes between Adam and his
girlfriend, Ruth. The only difference is that the conversations between Adam
and Ruth do not tingle with the promise of sex. They barely even offer the hope
of a hug. Naomi Sheldon, as grey and goggle-eyed girlfriend Ruth, looks like
Bambi caught in the headlights. One wishes someone would put her out of her
misery. The same goes for Adam, who visibly pales in the company of his
sensible but spark-free girlfriend.
It all sounds a bit depressing but
Golaszewski, whose TV work has obviously taught him a lot about tight
structuring, handles the heavy stuff lightly. The doubt and depression build
slowly, in the gaps between the clever punchlines. In fact, the sadder moments
are often trapped inside the jokes themselves. During an early date, Ruth
breathlessly declares her excitement at their similar tastes; 'You like olives,
that's good!' It's a slight line but it still captures the gulf between these
two people, as Ruth quietly plans for a future we now know has been obliterated
for good.
Sex
with a Stranger
AT TRAFALGAR STUDIOS, 1ST - 25TH
FEBRUARY 2012
BY TOM WICKER
As the BAC revisits Homer’s Odyssey care
of Paper Cinema, Trafalgar Studios’ latest production also tells the story of
an epic journey. But instead of gods and monsters, Adam (Russell Tovey) and
Grace (Jaime Winstone) must contend with sub-zero temperatures, night buses,
taxis and their utter mismatch on the seemingly endless trek from the nightclub
where they have hooked up to Grace’s bedroom. Meanwhile, an oblivious Ruth
(Naomi Sheldon) waits like a Sainsbury-shopping Penelope for her straying
boyfriend to come home.
Writer Stefan Golaszewski
demonstrates the same painfully acute grasp of the nonsense we spout on a
habitual basis as he did in recent sitcom Him & Her. Adam’s and
Grace’s conversation is pockmarked with misunderstandings and banalities as
they try in vain to impress each other and make something more of their initial
dance-floor meeting and imminent fumble. The pair talks in clichés that are
hilariously and depressingly spot-on in their absurdity. References to Homebase
and the vagaries of ghds are the patina of a language flattened of meaning,
existing purely to fill up the silence in a world where there is nothing new
left to say.
Director Phillip Breen plays up this
sense of disconnect by regularly plunging Tovey, Winstone and Sheldon into
darkness – sometimes mid-sentence – and then repositioning them around the
stage, to indicate the passing of time when the lights go up. These staccato
and distinctly filmic jump-cuts, which reflect the sitcom set-up hardwired into
the show’s DNA, aren’t entirely successful on stage. When it works, the effect
can be as funny as someone caught mid-expression in a photo they weren’t
expecting. But more often than not, the dim outline of the cast hurrying
between their marks just takes us out of the story.
Nevertheless, Tovey and Winstone are
achingly funny, brilliantly conveying their characters’ complete lack of sexual
chemistry as they slobber over each other in a cringing and increasingly
desperate imitation of attraction. Loveable bafflement is something Tovey does
well, and here is no exception; his voice breaking into a frustrated squeak as
he tries to salvage something from an ill-fated situation. Meanwhile, a
mini-skirted Winstone’s enjoyable mix of alcohol-fortified coquettishness,
defensiveness and occasional blank incomprehension means we miss her when the
spotlight turns to Adam and Ruth.
Via a fragmentary sequence of
flashbacks we learn that what has landed Adam on a night bus to somewhere near
Homebase is, in part, his inability to cope with moving in with his violinist
girlfriend, who he has been with since university. As the cheekily long scene
of Ruth ironing Adam’s shirt in silence makes clear, their relationship has
been subsumed by monotony and routine; dominated by strained conversations
about shelving, what should go in a salad and whether Adam’s best friend,
Robert, is a nice guy or not. They may as well be strangers for the distance
that has grown between them.
A wide-eyed and plaintive Sheldon is
affecting as Ruth; her character speaking tentatively to Adam as if afraid that
everything will shatter if she says what’s on her mind. But in spite of
Sheldon’s best efforts, the part feels underwritten, more like a collection of
middle-class tics than a fully-rounded person. And as we are encouraged to
laugh at her foibles and roll our eyes as she nags Adam about shaving, it’s
hard to escape the feeling that the play is actively pushing you to sympathise
with Adam, ultimately the least likeable and most manipulative character. Even
Grace, fun as she is, rarely ventures out of a certain kind of ‘everywoman’
territory and into a three-dimensional landscape.
This is a story ostensibly told from
several perspectives, but which doesn’t always feel like it. And a single, nastily
foul-mouthed outburst from Adam when Ruth accuses him of looking at another
woman isn’t enough to even the equation – particularly when the production
contrives to keep the well-toned Tovey shirtless or in boxers for more scenes
than just the obvious. In the end, this witty, well-paced show has a keen ear
for the everyday and a fine cast; just don’t be surprised if, occasionally,
your laughter leaves a bitter aftertaste.
Above: Russell Tovey & Graham
Norton from the radio interview conducted 28 Jan 2012. If you would like to hear this interview and see a slideshow please select it from the videos found on the right side of this web page.
☠THE PIRATES☠
'MAKES OTHER FILMS SEEM LIKE COMPLETE PANTS'
Latest trailers for 'Pirates' starring Hugh Grant, Russell Tovey and Imelda Staunton among many other
notables. The movie is due for release at the end of April 2012.
RichTaylorNeil: My friend @Faye3011 is in a pub & @russelltovey is in a cafe opposite. She is to scared to go & say hello!
Faye3011: @RichTaylorNeil
@russelltovey actually I was in the same cafe, after having been in the
pub..Think I see him there every few days GR8 Café
RichTaylorNeil: @Faye3011
@russelltovey I'm guessing you could be a stalker! lol xx
Faye3011: @russelltovey was what ever you ate for lunch in the box
lovely? my steak and cheese wrap from same cafe was delicious!
BoyVirginiaMade: I'm featured here: BEGINNINGS @ RUSSELL TOVEY - A STAR IN THE MAKING http://t.co/6yR7hp5B
mrjackderges: @BoyVirginiaMade are
you a massive Russell tovey fan?? I don't get it!!
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